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PERCUSSION

Drum Set    Hand Chimes    Mallet    Handbells    Snare    Timpani

Beginning percussion students start with snare drum studies to develop technique and notation reading. Advanced students may choose among mallet, drum set and timpani as well as continuing snare drum studies. There is the opportunity for all students to work in ensembles.

What you can expect from us
Welcome to the Percussion Depart ment at City Music Center. You will learn from outstanding faculty in a stimulating environment. It is our philosophy that excellent music training should be available to every child who wishes it and to that end we accept every child who applies. We test young beginners for readiness and we audition all entering students for placement purposes. We believe that a good match between student and teacher is very important to the learning process.

What we expect from you
In carrying out our program of excellence, we expect students to practice daily as well as complete any written homework given at the lesson. We expect students to take the appropriate musicianship classes and to demonstrate progress. Musicianship and studio faculty are in regular communication about student progress and problems. We suggest parental attendance at all private lessons, especially with young children; and daily supervision of home practicing. Finally, we suggest that each student or parent keep a practice journal.

The minimum time your child should practice each day at home:

4-8 years

30 minutes

9-12 years

45 minutes

12-18 years

60 minutes


Evaluation
At the end of each academic year, all percussion students must play for a panel composed of members of the percussion faculty. Each student will be expected to play the required material from memory with technical command and musicianship.

Handbells/Handchimes
• Ensemble I: 4th-6th grade
• Ensemble II: 7th-12th grade

This course will introduce students to the art of handbell/handchime ringing. The initial goals will be to teach the basics, such as: care of the bells/chimes, how the handbells work, correct handhold, how to ring and damp properly, and various special ringing techniques. In the beginning, students will play chords, scales and exercises to help develop good ringing habits and to prepare them for the challenges as the literature and techniques become more difficult. As students begin learning a piece of music, they will work on dynamics, phrasing and articulation to add musicality and interpretation to the music. As the group progresses, they will be encouraged to participate in recitals.

Handbell/handchime choirs don’t function well if a member is absent from rehearsal, and concert performances suffer if a ringer is missing, so regular attendance is essential. Class size is limited to 11. Please indicate on your registration form if your child plans to enroll.

Faculty

P.J. Gatch, Chair
Lenny Rogers
Roberta Erickson



City Music Center
of Duquesne University

Mary Pappert School of Music

Pittsburgh, PA 15282-1800
(412) 396-5872
www.cmcpgh.org

Sally Worsing, Ph.D
Executive Director
stone@duq.edu

Roberta K. Erickson
Business Manager
ericksonr@duq.edu

City Music Center at the
Anna L. Perlow School of Music

of the JCC of Greater Pgh.
(412) 396-5872